INDEX:
2023
2022
2021
2020
2019
• Metamorphosis of Masculinities
2022
• Tiding Catalogue (coming soon)
2021
• PSX: A Decade of Performance Art in the U.K. Catalogue (coming soon)
2020
• Occurrence
2019
• selina bonelli: (re)collecting (f)ears
• Lines Cut Through Us All
• Salvage Catalogue (coming soon)
• Pause&Affect Catalogue (coming soon)
2018
2015
2014
• Future Ritual
• (States Of) Wake (coming soon)
2015
• Culture, Administration & Trembling
• Soap Box Sessions: Gender
2014
• Narcissister
• Reflections on WIN:
A letter to Poppy (Miracle) Jackson
Metamorphosis of Masculinities
2023
➣ weblink (coming soon)
DETAILS:
Contribution for Metamorphosis of Masculinities - Academy of Fine Arts, Prague.
DETAILS:
Contribution for Metamorphosis of Masculinities - Academy of Fine Arts, Prague.
Occurrence
2020
➣ weblink
DETAILS:
"Impossibility is a sliding scale. somedays it feels impossible to get out of bed. On others we are pleasantly surprised to reach beyond our own expectations (let alone what others expect of us). Wether that is finding the energy to lift a corner of curtain to peek up at a tiny patch of sky, or scaling a peak to gaze down upon the clouds.
Each of the 16 artists/ writers invited to take part in the project have leant into, or away from, the idea of impossibility in a different way; they have used different mediums to share experiences, and have of course needed to rely on what is possible and practical in order to realise their works. The Covid-19 pandemic made sharing live performance art practices a physical impossibility, but these works transcend the immediate impossibilities of living in a global pandemic. They explore the layers upon layers of everyday impossibilities that we still encounter and will remain present once we ‘return to normal."
Contributors include: Bean, Jade Blackstock, selina bonelli, Helen Davison, Máiréad Delaney, Chinasa Vivian Ezugha, Ernst Fischer, Ro Hardaker, Catherine Hoffmann, Rubiane Maia, Ash McNaughton, Martin O'Brien, Harold Offeh, Kerry Ryan, Benjamin Sebastian, Keioui Keijaun Thomas.
DETAILS:
"Impossibility is a sliding scale. somedays it feels impossible to get out of bed. On others we are pleasantly surprised to reach beyond our own expectations (let alone what others expect of us). Wether that is finding the energy to lift a corner of curtain to peek up at a tiny patch of sky, or scaling a peak to gaze down upon the clouds.
Each of the 16 artists/ writers invited to take part in the project have leant into, or away from, the idea of impossibility in a different way; they have used different mediums to share experiences, and have of course needed to rely on what is possible and practical in order to realise their works. The Covid-19 pandemic made sharing live performance art practices a physical impossibility, but these works transcend the immediate impossibilities of living in a global pandemic. They explore the layers upon layers of everyday impossibilities that we still encounter and will remain present once we ‘return to normal."
Contributors include: Bean, Jade Blackstock, selina bonelli, Helen Davison, Máiréad Delaney, Chinasa Vivian Ezugha, Ernst Fischer, Ro Hardaker, Catherine Hoffmann, Rubiane Maia, Ash McNaughton, Martin O'Brien, Harold Offeh, Kerry Ryan, Benjamin Sebastian, Keioui Keijaun Thomas.
selina bonelli: (re)collecting (f)ears
2019
➣ weblink (coming soon)
DETAILS:
"(re)collecting (f)ears documents a series of site-specific performances by selina bonelli, which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019. How can we affectively listen to the echoes of our past fears and uncover what these monuments might hear in the present, in order to acknowledge our fears of the future? ".
Contributors include: Rubiane Maia, Benjamin Sebastian, Helen Davison, Olivia Furber, Daniella Valz Gen, Madeleine Hodge, Joseph Morgan Schofield, Bean. With further texts by selina bonelli and images by Ana Escobar and Andrea Abbatangelo.
DETAILS:
"(re)collecting (f)ears documents a series of site-specific performances by selina bonelli, which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019. How can we affectively listen to the echoes of our past fears and uncover what these monuments might hear in the present, in order to acknowledge our fears of the future? ".
Contributors include: Rubiane Maia, Benjamin Sebastian, Helen Davison, Olivia Furber, Daniella Valz Gen, Madeleine Hodge, Joseph Morgan Schofield, Bean. With further texts by selina bonelli and images by Ana Escobar and Andrea Abbatangelo.
Lines Cut Through Us All
2019
➣ weblink (coming soon)
DETAILS:
"While the UK Government can't make its mind up if it wants a No Deal, Peoples Vote, Article 50 Extension or to all agree to disagree and call the whole thing off, we can be sure of one thing: artists from across the UK and Europe will convene in Leeds (a 50/50 Leave/Remain city). From the gross oversimplifications, and wilfully deceptive dialogue in media and politics through to the inherently pre lingual desire for humans to understand and to connect, the Performing Britain artists will undertake a one time only performance marathon centred around ‘British identity’. Artists will present their ideas, share their lived experiences, offer us gestures and interventions that burrow deeper than the public discourse in hopes to better define and articulate a new narrative for British identity. New notions of what it means to be 'British' and what it means to be excluded."
Lines Cut Through Us All was a commissioned essay for Centre for Live Art Yorkshire (formerly Live Art Bistro) - for the unrealised programme; Performing Britain.
DETAILS:
"While the UK Government can't make its mind up if it wants a No Deal, Peoples Vote, Article 50 Extension or to all agree to disagree and call the whole thing off, we can be sure of one thing: artists from across the UK and Europe will convene in Leeds (a 50/50 Leave/Remain city). From the gross oversimplifications, and wilfully deceptive dialogue in media and politics through to the inherently pre lingual desire for humans to understand and to connect, the Performing Britain artists will undertake a one time only performance marathon centred around ‘British identity’. Artists will present their ideas, share their lived experiences, offer us gestures and interventions that burrow deeper than the public discourse in hopes to better define and articulate a new narrative for British identity. New notions of what it means to be 'British' and what it means to be excluded."
Lines Cut Through Us All was a commissioned essay for Centre for Live Art Yorkshire (formerly Live Art Bistro) - for the unrealised programme; Performing Britain.
